Strout, Elizabeth (2008). Olive Kitteridge: Fiction. New York: Random House. ISBN: 9781400062089
2009 Pulitzer Prize, Fiction
The most striking this about this novel is its structure: it is a landscape novel with the title character as a running theme or motif as a constant among thirteen stories. This landscape is lonely; each character essentially lives life within him or herself, despite living in a close, small Maine community. The narrative voice is strangely detached, heightening the sense that the characters are separate from one another. The reader is therefore kept at an emotional distance. Death is a frequent visitor to the characters, and marriages are presented as mostly contentious and negative.
A nonlinear, nonchronological narrative structure must be built with extra care so as not to confuse the reader. Strout reveals this as the greatest strength of this work: by keeping the narrative voice simple and clear, she avoids the complexity trap that has befallen so many experimental storytellers. Jumps in time are kept to a manageable number, and are cleverly elucidated.
Of all of the different interpretations of loss and pain that are portrayed, it its Olive Kitteridge herself that, surprisingly, emerges as the most whole. The reader encounters different views of her from various perspectives as other characters give their views of her. We see her argue with her husband, son, and commit childish acts. But it is the revelation of who she is that adds depth and push to stories that otherwise would have a tendency to get sleepy. Olive is the type of character that leaves an impact far greater than her personality or actions might suggest.
The mature, embittered woman encountered early on becomes more so by the end, only the reader comes to understand Olive better by seeing different angles of who she is. Elizabeth Strout achieves the coveted feat of making us like an unlikable character , mainly by showing that Olive Kitteridge is human just like we are.